Orpheus, the oldest of all artist myths
Eight artists from the disciplines puppetry, drama, dance and music meet for a project.
Their starting point, the oldest of all artist myths: Orpheus, the story of the greek singer and lyre-player, whose singing not only bewitched man, animals and stones but also the gods of the underworld; this story, which inspired artists of all eras like no other and which was the subject of Monteverdi’s opera, the first synthesis of the arts in musical history.
But with which voice does Orpheus sing – today? What happens, if Orpheus’ look is not aimed anymore at Eurydice, but attempts to penetrate the underworld? If this underworld is no longer a far away mystic empire, but our immediate present? Without a script, held only by a narrow frame of agreements, the artists dare to step into the open. In this dialogue of actions the unanticipated, uncertain gains ground: reflections, refractions, echoes and rhythms weave nets of meaning and let the spectator participate in the processes of birth which form the basis of all art.
A gesture, fleeting words, a stroke of the bow and behold: Charon, the boatman of the underworld rows over the Styx.
Directed by: Hendrik Mannes
Actors: Miriam Goldschmidt und Wolfgang Kroke
Music and performance: Bénédicte Trouvé
Kung – Fu: Jason Träder
Vocals and performance: Claudia Olma
Puppets and animation: Michael Vogel
Live music: Charlotte Wilde and Johannes Frisch
Figurentheater Wilde & Vogel, co-produced by Rudimentaer Theater Berlin, FITZ! Stuttgart, DIE SCHAUBUDE Berlin, FIDENA Bochum.